SA Current Presents DAWES at The Rustic San Antonio @ The Rustic - San Antonio, San Antonio [12 August]

SA Current Presents DAWES at The Rustic San Antonio

20:00 - 23:00

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The Rustic - San Antonio
17619 La Cantera Pkwy Ste 204, San Antonio, Texas 78257

San Antonio Current & KRTU Indie Overnight Present Dawes at The Rustic!

The folk rock giants are touring their new album, Passwords, and will be here at The Rustic on August 12!

Tickets go on sale Friday, June 8 at 10am so be ready!

What's even better — every online ticket purchase for this Dawes show comes with your choice of a physical CD or digital copy of Passwords!

-GA Tickets $25
-VIP Tickets $60
VIP Ticket includes: separate VIP entrance, access to private VIP area with optimal view of the stage and a private cash bar.

Enjoy a cold Sol Beer from the bar during the show!

“Taylor Goldsmith, Dawes’ songwriter and singer, deploys vocabulary with precision…”

-The New York Times

“Is Dawes America’s greatest rock and roll band… at least in the under-40 division? There’s a case to be made for it…”


Dawes debut their new music video for “Living In The Future,” the first single off their forthcoming album Passwords (HUB Records), via Boing Boing. The video was directed by Grant James (Father John Misty, Tedeschi Trucks Band), who reveals: “The concept of “Living in the Future” revolves around Dawes having their performance holographically captured for posterity. The result is a perfect mix of analog and digital that not only taps into the theme of the song, but fully represents who the band is.” Watch the new music video for “Living In The Future” here.

Dawes also premiere “Crack The Case,” another new song from Passwords, via Consequence of Sound, who call the song a, “’70s-era folk rock soother.” Dawes’ lead singer and songwriter, Taylor Goldsmith, provided a behind-the-scenes look at the making and influences behind the song in an interview with Consequence: “Crack The Case” was more or less the first song I completed for Passwords. The song made it clear to me what I wanted to talk about and how I wanted to say it, but beyond that I found it bringing me back to writing styles and lyrical approaches that I hadn’t explored for a few records.” Listen to “Crack The Case” via Consequence of Sound here.

Passwords will be the group’s sixth studio album, and fourth on their own HUB Records. It is for and about the modern age: the relationships that fill it, the politics that divide it, and the small victories and big losses that give it shape. “We’re living in such a unique moment in history,” says lead singer and songwriter Taylor Goldsmith, “Many of these songs are an attempt to come to terms with the modern world, while always trying to consider both sides of the story.”

In the decade since Dawes emerged from Southern California, the band, consisting of guitarist/singer Taylor Goldsmith, drummer Griffin Goldsmith, bassist Wylie Gelber, and keyboardist Lee Pardini, has evolved and electrified and grown into a forward-thinking band for the 21st century. The result is Passwords, a warm, lived-in album that spotlights Dawes’s strength as a live act while also staying rooted in studio craft and consideration. The album bounces between the familiar territory of guitar-driven indie rock (the anthemic, atmospheric “Living In The Future”); SoCal soul (“My Greatest Invention”); and modern folk (“I Can’t Love,” “Stay Down”), but also embraces a spacier, experimental approach thanks to the band’s newest member, keyboardist Lee Pardini.

For Passwords, Dawes was reunited with Jonathan Wilson, who produced the band’s first two albums. “Part of the DNA of Dawes was shaped by Jonathan,” Goldsmith says. “Those first two Dawes records have a certain essence to them. We were figuring out who we were. When it came time to produce our sixth album, why not go back to the guy who started it all with us?” Wilson adds: “I wanted to record them live and capture that magic that you can only get recording a real fucking band, that lives together and breathes together as a unit. There aren’t too many of those left, but I think we captured it.”

Ultimately, Passwords is a clever and clear-eyed defense of empathy in the face of apathy (on songs like “Living In The Future”) and a timely call for patience and understanding in an age of political partisanship (on “Crack the Case”). “Songs can be passwords,” Goldsmith says, “because they’re a means of giving access to someone else’s perspective, thereby elaborating your own.” In this way, Passwords uses its words wisely, unfolding with well-reasoned articulation and pointed punch, while never compromising the band’s innate musicality and song-writing prowess. Rarely has a band created such an appropriate soundtrack for the modern age, and with Passwords, Dawes does just that.
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